Review: Concrete - No Dawn



Another one from Albany,NY-based Concrete and just like their previous stuff, No Dawn is a heavy-hitter. The band specializes in heavy, gritty hammer-and-nails hardcore and in this regard, this ep does not disappoint. It seems like they were aiming for heavier sound than on previous records, but thankfully they managed to do it without losing all the necessary hardcore elements. Their sound is deeply rooted in old school but with solid metallic parts and breakdowns and mosh. These dudes can play and skill-wise this is above the average, the guitar work is technical though they keep it sharp all the way and drumming is more than on point. Especially the rhythm section is keeping everything together with a steady groove for the rest of the band to follow.

If you're into heavier side of hardcore you owe it to yourself to listen to this one because it's exactly what one would need. Though it sounds technical, it’s hard-hitting and carriers enough of that anger and aggression that separate hardcore from phony metal. Each track is hard hitting and punchy and this might be their best material to date.

Fast Break! Records, 2016

Review: Cornered - Hate Mantras



I admit I am a Cornered fan boy, I am pretty much down with everything they do before it even comes out. The band is one of the hardest and sharpest in Europe and this new album is to prove it. If hard as nail hardcore packed with thug posturing and self-destructive emotions is your bag, then track this one immediately. Hate Mantras knocks out 6 tracks of heavy, punishing hardcore with metallic overtones. The band has ability to make hard-hitting NYHC beat, grimy Clevo heaviness and European vibe flow together to create mean ass hardcore to annoy your neighbors and disgust your girlfriend. Think of something between Breakdown, Ringworm and No Turning Back, if that makes sense.

This record is their best stuff since Living The Lie. It’s way better than Sudden Death, which had its moments but also a deal of less memorable tracks. On this one each track holds its own. On top of it Niels’ attacks his verses in his usual brash fashion carrying this sucker to next level. This dude is a truly disturbed soul and each track is a reminder that violence solves everything.

When it comes to hardcore, I don’t need nothing fancy or groundbreaking. I need it to be raw with healthy dose of aggression. That’s what got me into this in the first place. That’s why I appreciate records like this one that sounds fresh but I don't have to devote too many brain cells to understand what’s going on.I highly recommend to check this short but sweet record.

Strength Records, 2016

Review: Bun Dem Out - The Few The Deep



Finally I got my filthy hands on this gem. The album that was impossible to get by means other than break and enter is available for purchase legal way. The first print disappeared from the market which was fucked up. I think I’m not the only one feeling this cause dudes at Rucktion reissued this gem last year.

Musically, what can I say? Bun Dem Out is comfortably fitting in somewhere in my all-time top heavy hardcore from Europe. The music is tense and pretty uncompromising coming across like a combination of Knuckledust, Shattered Realm and Slayer. The band ape tight riffs and decent groove while Pelbu attacks his verses with brash and ignorant flow. This album never stays still and the way they put the songs together is creative but not overbearing. The style ranges from stripped down hardcore to death core, and there’s a little bit of other crazy influence that creep their way in there too. The highlights are Peruchos Tale and What? No Blaze. Weird but brutal stuff.

I hope this re-issue is just the tip of the iceberg as far as the next full length album in concerned.

Rucktion 2015

Review: Diction - The Poor And The Hopeless



Brand new album from LBU staple Diction and it’s everything I expected it to be. This is the kind of hardcore that most arrogant individuals could only pull-off. As raw as it gets and there’s absolutely no polishing to these tracks, but this is what I dig the most about it. Hardcore supposed to be like that, that’s what got me hooked up on this art in the first place.

Rucktion bands tend to split people in half, but whether you in or you’re out, they’re out there doing their thing and a lot of people are loving their music. If you got into hardcore last year cause your girlfriend showed you Turnstile video this record might seem too rough, but for the seasoned hardcore enthusiast there’s a lot to love here. The Poor and… brings that rare combination of aggression, arrogance and aggravation you might recall from Final Beatdown, Self Inflicted or just any Back Ta Basics release..

Not only on the musical level, the lyrics get the job done as well. The subject matters revolves around the observation that the adult life is just tragedy after tragedy. There’s not hope things gonna get better during our lifetime and it’s gonna be even harder for our children. These are thoughts I struggle with more often nowadays and I feel it sometimes that connects me with the lyrical content of this record.

The only downsize I can find is the packaging. How such a solid band can have such shitty album covers? From the depths had some ugly fish on front, and this one has some lady’s face or sculpture of the face all black and white and bullshit. What next? They should fire the guy who did it.

Rucktion, 2015

Review: M.O.R.A. - Halveksunna Aika



A DIY release that looks better than most of the stuff that is put on proper hardcore labels nowadays. The inlay is nicely put together full of live and crew pics, 25 ta Life style. This is type of shit I want to see more of. This is the second record I got for review from this band. If you have missed their debut CD, MORA plays heavier sounding old school hardcore with double female vocals. First thing I noticed is the production on this one is way better than before, every instrument is crisp but heavy. Musically, this is the shit. Every track is tight and powerful, I totally dig how they make them sound aggressive while keeping all type of stuff going on. Most of the time the music if fast, but there are some cool breakdowns and mid-tempo parts giving it more depth and just keeping the album more interesting. Take TyhJan Paalla for example, with it’s heavy groove, or straight up metallic Ajan Henki. Awesome! What is not so cool are the vocals. I got nothing against ladies fronting hardcore bands, but in this case they just are not up to standard set by the music. To me, they lack any sort of urgency or abrasiveness and because it’s hardcore I like to hear someone who’s seriously pissed. Nothing I can't get past, but still could be better. Props for singing in Finnish though.
Before I wrap up, I gotta give respect to the band for keeping it going on their own, without label backing, full DIY. This type of attitude deserves respect.
DIY, 2015

Review: Ultima Victima - Muertes Sin Razon



I guess Ultima Victima is one of the top bands to come from Mexico lately. The album is a blast of uptempo, dynamic hardcore that’s both knee deep in tradition with a heavier twist, taking a lot from classics like Sick Of It All (Screath the Surface era), Madball or Terror.. You can easily spot their influences from jump. It doesn't contain anything new, but they’re pretty good at that style. The music is laced with tight riffs and solid drum work. There are moments when they lose their shit, but also times when everything is tight. The production is really heavy, it’s like they were aiming for Hatebreed type of sound.
Although the band does have highlights on Muertes Sin Razon, the downside are the vocals. Sorry, I just can get to dig them. Dude does his best, but it’s just the vocals style I hate. His flow isn’t too aggressive and the tone of his voice gets on my nerves almost as much as this dude from First Blood. But once you get past that, the music is alright, I can’t take that away from them. The lyrics are in spanish, which is a plus, and what I can deduct they carry a lot of anger and pride. All in all, Muertes Sin Razon is not without flawis, but it’s not horrible.

Panda Claw,

Review: Internal Warfare - S/T



Damn, just when I started writing this review the news broke out the band is no more. That’s not cool cause this record is dope if you dig that stripped down, gritty NYHC sound. Internal Warfare were from NYC and this is the compilation record of their 2013 ep and 2011 demo that was put together by FWH Records in their fresh blood series. The idea is to give unknown but dope bands more recognition by releasing their shit on a physical format. Because we all know kids are too cheap to show even a slightest financial support for up and coming soldiers, this is a low-cost CD-R that costs pennies so you can't bitch about the price. And this is no scam, it comes with a proper artwork so you get a return on your investment. I support the idea, and Internal Warfare is definitely one of the bands that didn’t really get the recognition they deserved. A cross between early Madball and Sworn Enemy, most of the tracks have a simple, heavy vibe carried by tough riffs and tight drumming. Expressing absolutely no desire to push that classic NYHC style further, the bands focuses on the raw energy and it gets the job done. So even the band called it quits, don’t let this album slip between cracks.

FWH, 2014

Review: Cold World - How The Gods Chill



Given the average wage in the country I reside in, every decision to cop contemporary hardcore record is made after hours of deep economical consideration. Being an adult means you gotta do some heavy thinking and reason pros and cons of every move you make, cause at certain age moshing in your room on empty stomach has much less appeal than it had during your salad days.

But grown man problems aside, slowly I am catching up with all the overdue reviews of records I got in recent months but because of some stupid shit I didn't write. This time it's Cold World and How The Gods Chill. With records like this one, I doubt there’s a point in getting too deep into its content, The record has already been discussed by greater minds than mine and everyone has already heard it and got their opinion made up.

How The Gods Chill tries hard to uphold the legacy of Dedicated to Babies..., and it just might. Kids will be arguing whether it’s better than their previous shit, but truth is this is Cold World and they still got it.
Musically, it’s still rough hardcore stuff with whole arrays of sick riffs over pounding drums. Tracks like Never Knows Best or No More Fun And Games are nothing short of a winner. There’s an obvious NYHC influence and the way this band lays down that heavy groove of Crown Of Thornz or Life Of Agony is unbelievable. The guitar work is on some next level shit, and just the fact that some of the riffs makes me straight up excited says a lot. I get this feeling from like one in hundred albums I listen. Work of a genius. It’s one of those gems where you can sense a lot of thought went to each track of the album. I wouldn’t go too far saying that Cold World are a rule-breaker, they work within the hardcore tradition but they also put their own stamp on it. Every time you hear Cold World’s track, you know it’s them.

The vocals by Dan Mills are on point as always, he has an incredible ability to ride the groove of each song no matter if it’s fast or slow. His trademark gritty, harsh hardcore vocals mixed with hip-hop vibe are on constant display here. I remember I had hard time getting used to his vocals on previous records, but once it clicked I can’t imagine anyone else fronting this band. Dude is all over the album. The confidence and force in his flow is something that set him apart from most of the current hardcore vocalist. The lyrical content is another highlight. The overall tone of the lyrics is really down to earth, but it’s far from cheap gimmick. There’s a darkness to these tracks in a way they are describing everyday situations and hardships with brutal realism.

The guest appearances from both hardcore and rap people are cleverly used at different points of the album. I mean, god damn, Kool G Rap? I know it's probably the matter having the right amount of cash and you can have anyone rapping over your shit, but still the choice of rappers they invited to the project and the quality of rhymes is quality stuff.

Hard record for hard times. I put it on the list of my top records for 2014 and I still stand by this decision.

Deathwish, 2014

Review: Drag Me Under - Dead Dudes On Dead Horses



Not long ago I reviewed their split with Rat Path, and all of a sudden I get their full length to review. Actually, this lp came out a year before the split. Drag Me Under from Reno, NV and play mosh fueled hardcore that takes heavier hardcore and mixes it up with some rock influences and such. I guess I could do better with comparisons, but I’ve never been Every Time I Die fanboy. The album has its moments when they go for more straight forward approach, but when they start do some weird stuff I’m lost. Sometimes the music just drags on and these rockish moments add nothing of real note to the album. I guess I’m too simple for this stuff.

Panda Claw, 2013

Review: Eden Demise - Triumph Over Adversity



Eden Demise are a long running band from crisis-stricken Greece. Longtime readers will recognize this name, as I've done interview with them way back and also reviewed one of their previous records. I wasn’t even aware they’re still active, but it’s cool they haven’t given up. I guess all the problems their homeland is going through became a fuel for anger on this album. The music is a cross between early Hatebreed and late Throwdown, if that makes sense. There is a stamp of moshcore in everything from the album’s cover to song titles to music itself. This might be even too much mosh for some to handle at once. Although there’s nothing bad here as such, there’s not many killer tracks that really get the juices flowing. Some of this album is forgettable; but the highlights should work for the fans of the above mentioned bands. Compared to their previous stuff, the sound is much more into heavier territory, but still maintain the overall core vibe. This might not be my favorite style of hardcore, but I gotta admit it's far from bad. Plus, I respect the band that stay true to themselves and don't fake it.

Filled With Hate, 2014