Review: Rage - Feel The Burn

Another dope record from Straight & Alert recs. Rage hails from Australia and their sound brings to mind the rawness of SSD, old Agnostic Front or No Tolerance but they also worship recent UKHC like Violent Reaction or The Flex. I won’t stand here and pretend I am the biggest fan of new wave of British hardcore but I’ve seen Flex live and shit was epic. These dudes are juggernaut in this game, the set was just them grinding everyone in a room to dust.

But back to Rage and this ep. I knew S&A always delivers quality so I was down from the get go and after few spins it didn’t disappoint this time as well. Feel The Burn is 5 tracks each deserving respect for the intensity of aggression it delivers, hitting hard with musical swiftness and the meanest vocals. That band takes it back to the basics so expect no silly shit, this is straight up in your face hardcore. If this crazy ass dude from Wolf Creek started a band that would sound something like this. The tracks to the end of the record are the hardest. Constant Static sounds fucking epic, they same goes for No Hope. These two tracks alone make me feel like I've already gotten more than my money's worth. Grab this now and get stomping.

Straight & Alert, 2017

Review: Slope - Losin' Grip

Slope is a new hardcore band outta Germany and this is their new album on BDHW which does not sound like what you would expect from this label. No breakdows, no snapbacks, no tough guy posturing. It’s more on that hardcore meets alternative rock vibe that’s been so hyped since Turnstile did it. Can’t say I’m much of a fan, but neither a hater. It’s just not my shit. Any day I pick the worst Madball song over best Turnstile track and it’s still a win. To each his own.

Looking at the front cover and seeing the video they did for Goodbye Mr. Dand everything was off to bad start. The band seems to be comfortable in the corners of the mind I don’t like to go. Meaning really abstract shit. I like when hardcore sounds like it could be a soundtrack to Rocky or Die Hard, but Losin Grip feels more like a backdrop to Charlie and the Chocolate Factory. The song names are all weird and I got no idea what they try to convey with titles like Goodbye Mr. Dandy. Some of this stuff seem unconvincing and if hardcore doesn’t sound sincere then I have problems having that emotional connection with it. At first I was forcing myself to go through some of the tracks because of that. I just felt at the back of my head something ain't right.

I am aware this review is going into negative direction but in reality it’s just me bitching. There are moments that I enjoyed. Musically, they do keep it sharp and there’s fair amount of fine riffing and tight groove to keep my head nodding. Like I said, fans of Turnstile should check it out, but also if you like Leeway, Burn and generally more creative NYHC sound I recommend giving it a listen.

Overall I think these dudes know they craft and I suppose there will be plenty people into this album. No need to put them down since there are tons of bands that are seriously whack, like Wolf Down and all their spin-offs. Slope are only guilty of being on a vibe different than mine but they seem like good dudes. Just with awful taste in clothes and there’s too much abstract shit going on in their heads. If they get their shit together and listen to right amount of Sheer Terror I am convinced their next record will be a killer. This one is still decent though.

BDHW 2017

Review: Incendiary - Thousand Mile Stare

Incendiary’s rose to fame was with their previous full length Cost Of Living which as you know I heavily backed. Even if hardcore fame doesn’t mean much in real life, they still deserve it cause it was beast of a record. And it’s coming from a person who don’t get that whole 90’ new school nostalgia happening now. Truth is, many bands are jumping on the bandwagon and most of them suck. Not the case here, Thousand Mile Stare sounds like these dudes been on heavy steroids doses when writing this shit.

Cost Of Living was solid, but Thousand Mile Stare is a marked step up. Everything that was good about that old record is even better here. If you remember bands like Indecision, Earthmover or Earth Crisis this album sounds comfortably familiar, but it’s not like they act like last 20 years in hardcore didn’t happen. You can sense they put much thought into shaping these tracks as they use tons of different elements. The band turns in a quality performance with heavy ass chugging riffs and massive stomp parts with maximum effectiveness. When it hits right it’s powerful and ferocious, but there are moments that feel overlong or too complicated. I’m too basic for some of that but I guess it’s what 90’ new school is about.

A separate salute should go to the vocals, not only because of his on point delivery, but also things being said on the record. Maybe not the strongest voice in hardcore, but he’s putting 100% into it. That I respect. And the lyrics are highlight here. The older I get, the more I appreciate stuff that makes me aware about shady shit going on in this world. Fuck apathy, you gotta keep your mind sharp! The political edge in hardcore in recent years has been either absent or reduced to some butt hurt drama over what Gorilla Biscuits said. Or joke bands like Wolf X Down. Incendiary brings more common sense with their politics and it feels the lyrics are based on actual research not tumblr. Whether dealing with topics like how profits rules everything and our lives reduced being to numbers, the lyrics always express devotion to being aware of the forces that be. The key message is that things are looking bad for this generation and it’s going to be even worse for our children. I’ve been telling the same for a long time and it’s good to know other people are feeling the same about where we’re heading. Too bad today’s youth is too stupid to figure this out. Maybe if they weren’t so busy filling pockets of the same people who shipped their very jobs to little kids in Asia, like Steve Jobs. I know he's dead but fuck him and fuck them too. There’s no hope for humanity.

Closed Casket Activities, 2017

Naysayer - Nation Of Greed

Solid hardcore is of plenty nowadays but only few of the newer bands are able to resonate with my inner self to the point of provoking deeper feelings and thoughts. Be it the fury of Manipulate, social skills of Crowd Deterrent or world commentary of Bitter End, I am always down for taking the path of self awareness through slick riff, loud drums and antisocial tendencies. Naysayer fall into that category and since the demo they've been known to deliver heavy hitters with grit and dirt levels of epic proportions. That landed them a deal with Reaper for the debut ep. Any random band from the street can't just walk up to that label's CEO and have their shit released. One LP and two EPs deeper into their career and they haven't been dropped yet, which shows how steady they are with quality of their output.

Not that much changed with how they go about their craft. This new ep Nation Of Greed is little more metallic than Laid To Rest but still hits with a familiar crunch. It’s 7 tracks in about 12 minutes, and no moment is wasted. There are lot of creeping mid to slow tempo parts, driven by slick, thrash guitar work and just nasty groove. I sense something seriously sinister about the tracks like Can You Feel it? or Face The Fantasy that gives me goosebumps. Lyrically it’s pessimistic as it deals with lower depths of society and what it takes to stand your ground in face of all the madness around. The delivery is straight in your face though. If you’re looking for abstract poetry and souls searching this ain’t one.

Summary: both the music and the message and the mindset behind the band makes me believe we have the same outlook on hardcore and live in general. This is something I respect and look for in other people. This ep got my sincere recommendation.

FFO: Timberlands, army pants, black hoodies...

Review: Crowd Deterrent - Show Of Supreme Force

Being a hardcore kid is like being a junkie in many ways. You get hooked up first time you hear Set It Off, Crime Ridden Society or Brightside and the rest of your life you just chase the same feeling. And sometimes you succeed. Crowd Deterrent for last couple of years has been the bomb and this lp combines their various shit since Show of Supreme Force ep came out in 2012. I didn’t need to sell my TV to get this record yet but I would if I had to. Somehow they do it better than anyone out there.

For those who don’t know, CR sound is Agnostic Front meets One Life Crew meets Blitz meets Sheer Terror and just every hardcore band in history that cultivated values such as hatred for fellow man and not-to-be-fucked-with attitude. And they put their own stamp on it with obnoxious antisocial vibe and gang mentality. Combined with technical skills that keeps their delivery sharp and effective you know we’re talking serious shit here. And the vocals are of beast kind, on tracks like Worldwie or Outcast Mentality he proves he has some serious vocal chops. The dude has been blessed with a perfect voice for this shit.

Show of Supreme Force ep are hands down the best of the batch. These tracks are fat to death, I don’t even have a favorite one, front to back this is top notch. This record is already in my top ten for the last decade. The title track is aggressive and raw, hitting you hard with tight groove and sharp riffs all bound together by the meanest vocals. "Life's on the line for you/ no matter what I do/ always stay down for the crew". Hard as nails! As for the Certain Death, I got no problem putting it next to Murdario Stomp easily. The Hated Ones tracks are solid as well, just see me wilding out in my living room to these tunes. The lyrics are the same, most of all a salute to sticking to your guns in world gone to shit. "I can’t handle all this stress / I’m a paranoid mess/ There’s no life left in these eyes/ Seeking shelter but there’s none to bo found /The only peace I’ll find when I’m six feet underground"

This lp gets my highest recommendation.

Review: Bent Life - Never Asked For Heaven

I saw this band live and the music was so good I knew I had to get this record. The show itself was odd cause the singer didn’t say a word between the tracks, which is not a hardcore standard, but not everyone is Scott Vogel and the music was dope. Special kudos to the guitar man, this dude is crazy and his work carries a lot of weight here. If they make any money on this record he should get the biggest cut. The band goes of their way to fill every track with both force and groove to make sure today’s hardcore audience is satisfied. If you follow what’s hip in hardcore right now I am sure you’ll find a lot of this stuff here. I mean nothing bad, just saying this has all the right ingredients. On top of it, the singer voice is really rough and he spits every word in full fuck-it-all mode. On the downside, I don’t like the way this is produced. They really went for a heavy sound but in the end a lot of details get lost. Overall, this package is complete: ridiculous songs, forceful vocals and murderous hatred for the whole world.

Bridge 9, 2016

Review: Absolve / Heavy Runner / Power Play - split

This ep has covers of E-Town Concrete, Hatebreed and Death Threat. That should speak to the vibe of the thing.

Absolve is the fastest and their opening track Nothing’s Right is swift and lethal, one of the best I’ve heard in recent times. The vocals are high end, they aggression in the way this dude spits out the verses is amazing. Not many bands cover Death Threat so props to them for this choice, especially when it’s one of my favorite DT tracks and it’s done so well.

The music offered by Heavy Runner is pure ‘90s era beatdown sound. I think bands from this side of Europe don’t get their props when it comes to the dope music they make. Runner is grimy, raw and violent, but nothing feels forced. Everything from the lyrics to the music feels like it could be snatched from any Next Step Up or Stout album.

The same can be said about Power Play. Echo is a beast packed with meaty groove and don’t-fuck-with-me attitude. A lot of newer bands try way too hard to bring back that feel of early Hatebreed or 100 Demons albums, but this band does it perfectly. Their sound has even improved since previous eps. The Hatebreed cover is a rugged , drum heavy, hard-hitting monster. The flat out skill apparent in both tracks make them a name to reckon with.

These 3 bands kill each and every track showing how perfect meeting of the minds this ep is. Each of them display a style that is raw and in your face and miles away from polished and watered down hardcore of today. This is the opposite of everything HCWW channel stands for.

Ratel, 2017

Review: Schizma - O Nas

Schizma are local legends in their native Poland but among international hardcore community their status is not so solid. It’s a shame cause they released some of the finest hardcore music I’ve heard in my life. I pity people not familiar with their magnum force opus Unity 2000, a beast of a record from, you guess, year 2000. That album is one of my top ever, but I’m also never far away from a copy of Pod Naciskiem, their previous output where they really nailed their NYHC-infused sound. It’s crazy to think those albums came out over 15 years ago. Many consider that to be the best era of the band. The records the band put out in 2000s appeared to be a series of close misses or shots that veered way off target. Nothing embarrassing, but nothing great neither. In recent years they switched their formula and instead of full length album every couple of years they started putting out shorter four track eps. This format works for them and the band may really be getting some of their mojo back.

O Nas is a top quality hardore. There are 4 tracks and everything about them just clicks. The ep flows well from start to finish. The band plays tought ass hadcore with a crossover/thrash vibe but they try to put their stamp on it so it’s not just a mixtape of different influences. Some of the riffs sound like they could be lifted from Chaos AD, while some tracks are straight up hardcore. The music do not get stale and it’s amazing how many creative ways they came up with to make this stuff above average without losing aggression and focus. Not a moment of this feels too long or repetitive. On top of it all, fertile vocals deliver the message of strength and resilience without sounding pretentious. If you don’t mind this being sung in Polish give it a try.

Spook Recods, 2017

Review: Enemy Mind - No Safe Space

Enemy Mind is a name that ring bells in beatdown circles. The band released their self-titled debut in 2009, followed the same year by split with Line Of Scrimmage, but has been mostly silent since. So this new album can come as surprise cause many believed the band is long dead and gone. They’re not and this new record on BDWH is a proof. They always were on the heavier vibe but with these new tracks the band got heavy as shit with death metal influences all over. Not to say the core element is gone. Despite all that metal stuff you can hear where they come from and there are some hints of Hatebreed, Bulldoze or Built Upon Frustration breaking through from underneath the surface.

No Safe Place is not a bad record but it’s not like after first listen I couldn’t wait to tell people about it. The thing is that, I’m not so crazy about death metal, I can barely sit through entire Morbid Angel record. I can’ even tell you how this one compares to current standards for death metal. There were times when listening to this album I thought to myself I’d rather be listening to Madball.

The title is a play on sensitive college kids and if you’re offended that’s your problem. The band is from Pittsburgh and they don’t have safe spaces over there.

Overall, the album doesn’t do much to differentiate itself from the other metallic beatdown bands we’ve heard countless times before in recent years, but if you enjoy hadcore of that style, then it’s worth checking out.

BDHW 2017

Review: Reserving Dirtnaps - Part II

This is some of the harshest sounding shit I’ve heard in a while. I mean it in a positive sense. Overproducing has messed up so many otherwise enjoyable records that with no doubt I can put it on the list of stuff that sucks the most in hardcore, somewhere between German vegan metalcore and just any band on HCWW youtube. None of that weak shit here, Part II sounds like it was recorded in a filthy crack house basement while fending off rats and cockroaches. Raw and hardened hardcore by way of Hatebreed, Lifeless or Punishment with some faster parts and heavy ass breakdowns.

The overall vibe of the these tracks is negative and bleak. It’s an album of burning anger while sitting in the room with shades down thinking why it all went so horribly wrong. Hardcore for those who know better than to have high expectations from life. It’s all about maintaining while being served blow after blow of pain and mizery. This is one of those bands where if the list of bands I listed as references doesn't get you interested you should skip it. But if you can stomach that amount of hate and dirt, this is for you. Memphis!

facebook.com/RESERVINGDIRTNAPS901
Bandcamp

Review: Angel Crew - XVI

I am all into ‘Another day…’, I respect ‘One Life, One Sentence’, but this new album doesn’t move me like the old ones. Not to say this is total shit, but there are many elements that just don't cut it for me. The moments when things are just like they should be, like Bombardier or Skull & Bones, are alright but many tracks suffer from way too many moments that are just not grippin. Tracks like Stabbing Bastard or Broken Promises bring great deal of wackness and in case of the latter the chorus is simply embarrassment.

What I fucking hate is that modern metal vibe with no real depth and overly polished sound. I can’t give you any references cause I don’t fuck with modern metal but I imagine it sounds like this album. It definitely doesn’t sound like early Biohazard stuff.

As far as the lyrics go, the subject matters are very personal but after a while all blend into mix of self pity and worry. How hard life in Netherlands can be? But I don't want to sound too harsh. At the end of the day, my life is filled with fair share of stress and backstabbing and I like to listen about this stuff just like the next man.

On the positive side, there are songs that sound right. Apart from previously mentioned, I dig the last track, Crushing Innocence. It’s a slow burner that goes for over 4 minutes and obviously I wouldn’t mind cutting it in half, but it’s still dope track.

All in all, the music on XVI is nothing above average and the vocals are not as hard as they think they are, but there are still some solid headnodders. I have all their previous shit and I would still cop that album if I had any spare cash to spend, but besides being broke I got more pressing addictions to support.

Strength Records, 2016

Review: Backfire! / Cornered - split

More Backfire! and Cornered never sits wrong. Both bands dropped full albums in recent times that were so good that obviously no one expected this split to disappoint. And they didn’t. When I got this shit for review after first listen all I could think about is that what both bands do over here is on the level many others will never reach. Only two tracks in total and from start to finish they give it raw and uncut. There was not a wasted moment in this. Backfire is sending you straight to hardcore heaven with Mosh Minable. The track is sharp and in your face, from chugging rhythms to hard as hell groove to forceful vocals everything gets the job done. Cornered as always delivers beastly tracks blending fury of hardcore and evil of metal to good effect. No doubt Time Has Come delivers that rage that is expected from this band. Raw, bitter, and loveless work of hardcore.

Strength Records, 2016

Review: God’s Hate - Mass Murder

I’m not falling for all the hype surrounding Gods Hate but I gotta admit there’s this element in their music that makes them stand out in today’s hardcore landscape. Mass Murder delivers was the certified and official sound of hardcore around 1997-2000, the period when the finest records by Hatebreed, Born From Pain and 100 Demons came out, Yeah, so this shit has been done for ages and copied ever since but still not everyone can pull off this style right. There has been a slew of bands paying homage to that sound but somehow God’s Hate seem to do it better than most. Mass Murder is tight skills, impeccable ear for sharp riffs and heavy vibe all funneled into hard as nails hardcore. What makes it click is that it’s heavy as hell and sharp in its execution. No game changer but the record is filled with fat riffing and massive groove, there are even solos that are well placed so they don’t bog down or halt the flow of the song.

Lyrics have more depth that I expected. Throughout Mass Murder there is a sense of injustice and chaos of everyday life. It’s not a downer though the band speaks about serious stuff to make you aware and stand up to the forces that are pressing down on us.

All in all, people acting like this type of sound is too played out have to stop pretending hardcore is something more than pissed of people. As long as it's sincere I'm all for it.

Closed Casket Activities, 2016

Review: Concrete - No Dawn

Another one from Albany,NY-based Concrete and just like their previous stuff, No Dawn is a heavy-hitter. The band specializes in heavy, gritty hammer-and-nails hardcore and in this regard, this ep does not disappoint. It seems like they were aiming for heavier sound than on previous records, but thankfully they managed to do it without losing all the necessary hardcore elements. Their sound is deeply rooted in old school but with solid metallic parts and breakdowns and mosh. These dudes can play and skill-wise this is above the average, the guitar work is technical though they keep it sharp all the way and drumming is more than on point. Especially the rhythm section is keeping everything together with a steady groove for the rest of the band to follow.

If you're into heavier side of hardcore you owe it to yourself to listen to this one because it's exactly what one would need. Though it sounds technical, it’s hard-hitting and carriers enough of that anger and aggression that separate hardcore from phony metal. Each track is hard hitting and punchy and this might be their best material to date.

Fast Break! Records, 2016

Review: Cornered - Hate Mantras

I admit I am a Cornered fan boy, I am pretty much down with everything they do before it even comes out. The band is one of the hardest and sharpest in Europe and this new album is to prove it. If hard as nail hardcore packed with thug posturing and self-destructive emotions is your bag, then track this one immediately. Hate Mantras knocks out 6 tracks of heavy, punishing hardcore with metallic overtones. The band has ability to make hard-hitting NYHC beat, grimy Clevo heaviness and European vibe flow together to create mean ass hardcore to annoy your neighbors and disgust your girlfriend. Think of something between Breakdown, Ringworm and No Turning Back, if that makes sense.

This record is their best stuff since Living The Lie. It’s way better than Sudden Death, which had its moments but also a deal of less memorable tracks. On this one each track holds its own. On top of it Niels’ attacks his verses in his usual brash fashion carrying this sucker to next level. This dude is a truly disturbed soul and each track is a reminder that violence solves everything.

When it comes to hardcore, I don’t need nothing fancy or groundbreaking. I need it to be raw with healthy dose of aggression. That’s what got me into this in the first place. That’s why I appreciate records like this one that sounds fresh but I don't have to devote too many brain cells to understand what’s going on.I highly recommend to check this short but sweet record.

Strength Records, 2016

Review: Bun Dem Out - The Few The Deep

Finally I got my filthy hands on this gem. The album that was impossible to get by means other than break and enter is available for purchase legal way. The first print disappeared from the market which was fucked up. I think I’m not the only one feeling this cause dudes at Rucktion reissued this gem last year.

Musically, what can I say? Bun Dem Out is comfortably fitting in somewhere in my all-time top heavy hardcore from Europe. The music is tense and pretty uncompromising coming across like a combination of Knuckledust, Shattered Realm and Slayer. The band ape tight riffs and decent groove while Pelbu attacks his verses with brash and ignorant flow. This album never stays still and the way they put the songs together is creative but not overbearing. The style ranges from stripped down hardcore to death core, and there’s a little bit of other crazy influence that creep their way in there too. The highlights are Peruchos Tale and What? No Blaze. Weird but brutal stuff.

I hope this re-issue is just the tip of the iceberg as far as the next full length album in concerned.

Rucktion 2015

Review: Diction - The Poor And The Hopeless

Brand new album from LBU staple Diction and it’s everything I expected it to be. This is the kind of hardcore that most arrogant individuals could only pull-off. As raw as it gets and there’s absolutely no polishing to these tracks, but this is what I dig the most about it. Hardcore supposed to be like that, that’s what got me hooked up on this art in the first place.

Rucktion bands tend to split people in half, but whether you in or you’re out, they’re out there doing their thing and a lot of people are loving their music. If you got into hardcore last year cause your girlfriend showed you Turnstile video this record might seem too rough, but for the seasoned hardcore enthusiast there’s a lot to love here. The Poor and… brings that rare combination of aggression, arrogance and aggravation you might recall from Final Beatdown, Self Inflicted or just any Back Ta Basics release..

Not only on the musical level, the lyrics get the job done as well. The subject matters revolves around the observation that the adult life is just tragedy after tragedy. There’s not hope things gonna get better during our lifetime and it’s gonna be even harder for our children. These are thoughts I struggle with more often nowadays and I feel it sometimes that connects me with the lyrical content of this record.

The only downsize I can find is the packaging. How such a solid band can have such shitty album covers? From the depths had some ugly fish on front, and this one has some lady’s face or sculpture of the face all black and white and bullshit. What next? They should fire the guy who did it.

Rucktion, 2015

Review: M.O.R.A. - Halveksunna Aika

A DIY release that looks better than most of the stuff that is put on proper hardcore labels nowadays. The inlay is nicely put together full of live and crew pics, 25 ta Life style. This is type of shit I want to see more of. This is the second record I got for review from this band. If you have missed their debut CD, MORA plays heavier sounding old school hardcore with double female vocals. First thing I noticed is the production on this one is way better than before, every instrument is crisp but heavy. Musically, this is the shit. Every track is tight and powerful, I totally dig how they make them sound aggressive while keeping all type of stuff going on. Most of the time the music if fast, but there are some cool breakdowns and mid-tempo parts giving it more depth and just keeping the album more interesting. Take TyhJan Paalla for example, with it’s heavy groove, or straight up metallic Ajan Henki. Awesome! What is not so cool are the vocals. I got nothing against ladies fronting hardcore bands, but in this case they just are not up to standard set by the music. To me, they lack any sort of urgency or abrasiveness and because it’s hardcore I like to hear someone who’s seriously pissed. Nothing I can't get past, but still could be better. Props for singing in Finnish though.
Before I wrap up, I gotta give respect to the band for keeping it going on their own, without label backing, full DIY. This type of attitude deserves respect.
DIY, 2015

Review: Ultima Victima - Muertes Sin Razon

I guess Ultima Victima is one of the top bands to come from Mexico lately. The album is a blast of uptempo, dynamic hardcore that’s both knee deep in tradition with a heavier twist, taking a lot from classics like Sick Of It All (Screath the Surface era), Madball or Terror.. You can easily spot their influences from jump. It doesn't contain anything new, but they’re pretty good at that style. The music is laced with tight riffs and solid drum work. There are moments when they lose their shit, but also times when everything is tight. The production is really heavy, it’s like they were aiming for Hatebreed type of sound.
Although the band does have highlights on Muertes Sin Razon, the downside are the vocals. Sorry, I just can get to dig them. Dude does his best, but it’s just the vocals style I hate. His flow isn’t too aggressive and the tone of his voice gets on my nerves almost as much as this dude from First Blood. But once you get past that, the music is alright, I can’t take that away from them. The lyrics are in spanish, which is a plus, and what I can deduct they carry a lot of anger and pride. All in all, Muertes Sin Razon is not without flawis, but it’s not horrible.

Panda Claw,

Review: Internal Warfare - S/T

Damn, just when I started writing this review the news broke out the band is no more. That’s not cool cause this record is dope if you dig that stripped down, gritty NYHC sound. Internal Warfare were from NYC and this is the compilation record of their 2013 ep and 2011 demo that was put together by FWH Records in their fresh blood series. The idea is to give unknown but dope bands more recognition by releasing their shit on a physical format. Because we all know kids are too cheap to show even a slightest financial support for up and coming soldiers, this is a low-cost CD-R that costs pennies so you can't bitch about the price. And this is no scam, it comes with a proper artwork so you get a return on your investment. I support the idea, and Internal Warfare is definitely one of the bands that didn’t really get the recognition they deserved. A cross between early Madball and Sworn Enemy, most of the tracks have a simple, heavy vibe carried by tough riffs and tight drumming. Expressing absolutely no desire to push that classic NYHC style further, the bands focuses on the raw energy and it gets the job done. So even the band called it quits, don’t let this album slip between cracks.

FWH, 2014