Review: Absolve / Heavy Runner / Power Play - split



This ep has covers of E-Town Concrete, Hatebreed and Death Threat. That should speak to the vibe of the thing.

Absolve is the fastest and their opening track Nothing’s Right is swift and lethal, one of the best I’ve heard in recent times. The vocals are high end, they aggression in the way this dude spits out the verses is amazing. Not many bands cover Death Threat so props to them for this choice, especially when it’s one of my favorite DT tracks and it’s done so well.

The music offered by Heavy Runner is pure ‘90s era beatdown sound. I think bands from this side of Europe don’t get their props when it comes to the dope music they make. Runner is grimy, raw and violent, but nothing feels forced. Everything from the lyrics to the music feels like it could be snatched from any Next Step Up or Stout album.

The same can be said about Power Play. Echo is a beast packed with meaty groove and don’t-fuck-with-me attitude. A lot of newer bands try way too hard to bring back that feel of early Hatebreed or 100 Demons albums, but this band does it perfectly. Their sound has even improved since previous eps. The Hatebreed cover is a rugged , drum heavy, hard-hitting monster. The flat out skill apparent in both tracks make them a name to reckon with.

These 3 bands kill each and every track showing how perfect meeting of the minds this ep is. Each of them display a style that is raw and in your face and miles away from polished and watered down hardcore of today. This is the opposite of everything HCWW channel stands for.

Ratel, 2017

New King Of Clubz



If a band has its previous records released by labels like Filled With Hate or On The Attack you can guess with high confidence what type of sound they’re up to. King Of Clubz is take-no-shit, raw and heavy hadcore that brings to mind the good old days of early Biohazard and Hatebreed (before both became joke of a band). I got their debut MCD called The Day You Die and even though I haven’t listened to it for a while, I remember it was solid. Raw and forceful, but honest. This shit is from 2003, go figure. Three years later and the band releases split with Whatever It Takes which to me is the highlight. Everything fits just right, from the artwork to the music. WIT has some crazy titled tracks on this one, like Teddybear Bastard or Champagne Whores. Work of genius. KOC has songs with titles like Betrayed, Suffering Begins or Inked In Blood, scary shit. On top of that, there’s a Madball cover. Don’t ask me about the albums that followed cause I lost touch until King Of Clubz / Providence split which was a banger. But from what I heard The End and Outlast were decent so I might catch up with this stuff.

To my surprise the band is still active and they will be releasing “Vile Times” via Knives Out Records (France). You can trust this label to make this stuff worth any price as they did a marvelous job with Grimlock and Crawlspace re-releases. Listening to the new tracks made me feel like I woke up in late-90’/early-00’ again. Band’s aggression and directness are on display here in 10 tight tracks encompassing love and hate, brotherhood and revenge, integrity and determination. KOC still don’t play with finesse and get on with this shit like they’re young again. Most of the tracks go from mid-tempo to faster, but not too fast tempos carried by tight musicianship and rough, forceful vocals. Pretty decent comeback.

More info here.






Clearview: Absolute Madness promo



Their previous stuff was mad dope but these new tracks really stepped it up. I had these two on constant repeat all day today and am still not tired of it. That album title is not misleading. Fans of Risk It, Terror or Manipulate should take notice.



Video: Reserving Dirtnaps - Reserving Dirtnaps



There's a strenght in simplicity and hardcore clips made of chopped up live footage never get boring. Good one from Reserving Dirtnaps, Memphis hardcore!

Is that new Cold As Life any good?



Cold As Life keeps on coming back together every now and then but this time beside touring there's new music to be expected. When you got a band with that huge rep and history it's hard to live up to the past. No wonder there are lots of different opinions on whether this Cold As Life is legit or not. Especially when there's just one dude (drummer Roy Bates) that connects to the times when the band got is start. The rest of the line up are new dudes or guys who joined the ranks when they started touring again some time ago. You can suspect some money grab scheme but who am I to tell? First, is there any serious money to be made here? Part of me doubts that, but I also know there will be many dudes in Germany or Belgium ready to buy merch and shit in large quantities. Secondly, who am I to interfere in internal Detroit power struggles? So politics aside, let the music speak for itself. Is this new incarnation of Cold As Life even worth checking out on the stremph of the new songs?



Suffer - musically it lacks that dirt and filth that made their old albums so menacing but compared to majority of current hardcore it delivers. The lyrics are deep and brutal dealing with a loss of a close one to addiction. People changed but Cold can still provide that eerie grime storytelling few other bands could relay. Jesse's vocals are made to sound very much like Jeff Gunnells which is probably the smartest thing to do. I had very low expectations going in but Suffer is a menacing cut that still holds its CTYC roots.



For The Few - solid tune but doesn't carry that much force as Suffer. This is basically a salute to your homeboys holding it down for you which doesn't necessary mean a bad thing in hardcore but it's not what I would expect from this band. On the music front nothing above average. Though I’d wanted new Cold As Life to be like the old Cold As Life I know that is not possible.

So it's 50/50 chances this new ep is not gonna suck.


Days of old

On the rise: Day By Day



Day By Day is a band from Florida that I had not clue about until I got the news Ratel Recs will be releasing their new 7" - 'From Now On'. I am glad they do cause this band rules. The music is good. The vocals are menacing. The artwork looks weird. You can hear they put a lot of thought into their sound making it hard to pin down to a specific style of hardcore. It's in your face aggressive but also very much on a dark and negative vibe. When hardcore deals with usual everyday drama and mix it with some grimy psychological shit I'm all for it. Nothing wrong with squeezing few minutes of thinking about death and mortality into your daily grind. I will definitely get my dirty hands on that ep.




Interview: Altered Beast



Give us some info about Altered Beast?
We all live in Kansas City, Missouri. We started the band in early 2014. Been chugging away since then. Aren't really built for touring because me and the drummer have a lot of kids and life going on. Haha. We are open to some ideas though if people reach out. We definitely aren't going to turn anything cool down.

How did the band come about?
Max and Dakota (guitarists) approached me about doing vocals. They had a song (Come Clean) off the demo written and threw it my direction. I scammed our drummer Dan because he and I had been working on some other ideas. We started writing songs and scooped Steve up on bass. The cool thing is none of us had any other projects at the time. It is a good energy when everyone is hungry and focused on one project. Since then things have changed. Most the other guys have other things going on. We aren't writing as many songs as I want, but I'm not stressing.

Just recently you dropped new self-titled ep. What was your main goal when writing these new tracks?
We had been playing these tracks live for a while. We instantly kept writing after we dropped the demo tape. The songs were pretty mature by the time we hit the studio the second time for this ep. We still kept it bare bones as far as production. The one thing we did consistent was record in the same studio. It is a super nice modern studio with great equipment and rooms. War of Ages, and Norma Jean had both recorded there. The goal was to keep it natural and raw sounding. No bullshit effects that made us sound like some studio monster. I wanted that live sound. We record the songs live and punch in the fixes for any mistakes we made. I save the vocals tracks for the end, and usually try to nail them with a single take. I don't like reverb or any overdubbing on my vocals.



Who is going to release it on a physical format?
We actually have it pressed on 7 inch now with our friend Sam from Blak Skul Records now out of KC. He lives next to Max and has been super cool putting it out. We have gotten some good responses out of it. Even Maximum Rock N Roll gave us a cool review. I was pretty nervous when Sam submitted it to them. Normally they chew bands like us and spit them out. Haha. We pressed 400 on black, and around 100 on red.

How did you get involved in hardcore?
I got involved in hardcore by just listening to the music. I lived in a very small town and there were some older friends that were part of the early 80's movement that taught me the ways. I didn't understand the subgenres until I started getting older. You gotta understand that I am about to be 41 years old. I began listening to independent music at a really young age. I was exposed to DRI and Slayer when I was in 6th grade. So that was around 1985/1986. I got directly involved by playing in a local band after high school and opening up a lot of the local shows. I was always going to shows though. I was addicted to dancing and having fun. I didn't care if I was solo or going with a group of friends. After all those years I just kept getting more and more involved from running sound at a local venue, to putting on random shows of my own in the city.

What did you find inspiring about that movement?
The first time I understood what the difference between hardcore and other music was when I began to get deep into NYHC worship. I was so intrigued with who was related to who, and what bands they all had before. I had known about most of the bands through the years, but like I said, I didn't understand that Agnostic Front, Slapshot, Murphys Law, etc were part of a sub genre call hardcore. The most inspiring thing that drew me in was hearing AF Last Warning and hearing the in between talking that Roger did. He was talking about unity and caring about social causes that were affecting them in NYHC. That whole positive banter and vibe showed me the reality of their style. After that I picked up on 25 Ta Life and Rick's lyrics were super positive on Strength Through Unity. At that time I was sold on the idea of Unity and Togetherness. That is what initially attracted me to hardcore. How you could sound so tough, and the pits be so wild, and have such a caring and inclusive message.

Demo Daze: Dead Heat, Territory, Badwill



Territory - Blackhole Blues Demo

Tucson, Arizona heavyweights back with 3 new tracks that scream 90' metalcore. If that style is your shit you need to give it a try. Sheer Terror cover is a bonus.

DOWNLOAD / BANDCAMP



Badwill - Мы Те, Кто Мы Есть

This one is from the other side of iron curtain. Tough as nails music with heavy grooves and vocals that don't fuck around. Only one track is sung in English, the rest is in Russian.

DOWNLOAD / BANDCAMP



Dead Heat - Access Denied/ S​.​E​.​E​.​D.

2 tracks of musical punishment filled with classic uncut raw that brings to mind likes of Merauder or Leeway. Metallic hardcore hasn't sounded so good in a while.

BANDCAMP

Review: Schizma - O Nas



Schizma are local legends in their native Poland but among international hardcore community their status is not so solid. It’s a shame cause they released some of the finest hardcore music I’ve heard in my life. I pity people not familiar with their magnum force opus Unity 2000, a beast of a record from, you guess, year 2000. That album is one of my top ever, but I’m also never far away from a copy of Pod Naciskiem, their previous output where they really nailed their NYHC-infused sound. It’s crazy to think those albums came out over 15 years ago. Many consider that to be the best era of the band. The records the band put out in 2000s appeared to be a series of close misses or shots that veered way off target. Nothing embarrassing, but nothing great neither. In recent years they switched their formula and instead of full length album every couple of years they started putting out shorter four track eps. This format works for them and the band may really be getting some of their mojo back.

O Nas is a top quality hardore. There are 4 tracks and everything about them just clicks. The ep flows well from start to finish. The band plays tought ass hadcore with a crossover/thrash vibe but they try to put their stamp on it so it’s not just a mixtape of different influences. Some of the riffs sound like they could be lifted from Chaos AD, while some tracks are straight up hardcore. The music do not get stale and it’s amazing how many creative ways they came up with to make this stuff above average without losing aggression and focus. Not a moment of this feels too long or repetitive. On top of it all, fertile vocals deliver the message of strength and resilience without sounding pretentious. If you don’t mind this being sung in Polish give it a try.

Spook Recods, 2017

Video: Crowd Deterrent - Hated Ones



Hated Ones - the true outcasts of the hardcore scene
Hated Ones - always on our own and that's just fine with me