Review: Cold World - How The Gods Chill

Given the average wage in the country I reside in, every decision to cop contemporary hardcore record is made after hours of deep economical consideration. Being an adult means you gotta do some heavy thinking and reason pros and cons of every move you make, cause at certain age moshing in your room on empty stomach has much less appeal than it had during your salad days.

But grown man problems aside, slowly I am catching up with all the overdue reviews of records I got in recent months but because of some stupid shit I didn't write. This time it's Cold World and How The Gods Chill. With records like this one, I doubt there’s a point in getting too deep into its content, The record has already been discussed by greater minds than mine and everyone has already heard it and got their opinion made up.

How The Gods Chill tries hard to uphold the legacy of Dedicated to Babies..., and it just might. Kids will be arguing whether it’s better than their previous shit, but truth is this is Cold World and they still got it.
Musically, it’s still rough hardcore stuff with whole arrays of sick riffs over pounding drums. Tracks like Never Knows Best or No More Fun And Games are nothing short of a winner. There’s an obvious NYHC influence and the way this band lays down that heavy groove of Crown Of Thornz or Life Of Agony is unbelievable. The guitar work is on some next level shit, and just the fact that some of the riffs makes me straight up excited says a lot. I get this feeling from like one in hundred albums I listen. Work of a genius. It’s one of those gems where you can sense a lot of thought went to each track of the album. I wouldn’t go too far saying that Cold World are a rule-breaker, they work within the hardcore tradition but they also put their own stamp on it. Every time you hear Cold World’s track, you know it’s them.

The vocals by Dan Mills are on point as always, he has an incredible ability to ride the groove of each song no matter if it’s fast or slow. His trademark gritty, harsh hardcore vocals mixed with hip-hop vibe are on constant display here. I remember I had hard time getting used to his vocals on previous records, but once it clicked I can’t imagine anyone else fronting this band. Dude is all over the album. The confidence and force in his flow is something that set him apart from most of the current hardcore vocalist. The lyrical content is another highlight. The overall tone of the lyrics is really down to earth, but it’s far from cheap gimmick. There’s a darkness to these tracks in a way they are describing everyday situations and hardships with brutal realism.

The guest appearances from both hardcore and rap people are cleverly used at different points of the album. I mean, god damn, Kool G Rap? I know it's probably the matter having the right amount of cash and you can have anyone rapping over your shit, but still the choice of rappers they invited to the project and the quality of rhymes is quality stuff.

Hard record for hard times. I put it on the list of my top records for 2014 and I still stand by this decision.

Deathwish, 2014

Review: Drag Me Under - Dead Dudes On Dead Horses

Not long ago I reviewed their split with Rat Path, and all of a sudden I get their full length to review. Actually, this lp came out a year before the split. Drag Me Under from Reno, NV and play mosh fueled hardcore that takes heavier hardcore and mixes it up with some rock influences and such. I guess I could do better with comparisons, but I’ve never been Every Time I Die fanboy. The album has its moments when they go for more straight forward approach, but when they start do some weird stuff I’m lost. Sometimes the music just drags on and these rockish moments add nothing of real note to the album. I guess I’m too simple for this stuff.

Panda Claw, 2013

Review: Eden Demise - Triumph Over Adversity

Eden Demise are a long running band from crisis-stricken Greece. Longtime readers will recognize this name, as I've done interview with them way back and also reviewed one of their previous records. I wasn’t even aware they’re still active, but it’s cool they haven’t given up. I guess all the problems their homeland is going through became a fuel for anger on this album. The music is a cross between early Hatebreed and late Throwdown, if that makes sense. There is a stamp of moshcore in everything from the album’s cover to song titles to music itself. This might be even too much mosh for some to handle at once. Although there’s nothing bad here as such, there’s not many killer tracks that really get the juices flowing. Some of this album is forgettable; but the highlights should work for the fans of the above mentioned bands. Compared to their previous stuff, the sound is much more into heavier territory, but still maintain the overall core vibe. This might not be my favorite style of hardcore, but I gotta admit it's far from bad. Plus, I respect the band that stay true to themselves and don't fake it.

Filled With Hate, 2014

Review: Bloodstained - Headless Kingdom

Bloodstained emerge from the depths of hell to drop filth and dirt into your useless life. There is a fury driving this record, most of the time it moves at frenetic pace filled with jagged riffs and crushing drums. Musically,the project is of a high caliber, the tracks are well engineered and hit in all the right places. I will go as far as to say they’re top of their weight division right now. The riffs, the vocals, the drumming - everything about this record is nothing short of a tour de force. The songwriting is on point and the way that everything they put into these songs flows together is genius. They deliver the brutality, but at the same time a lot of the riffs and hooks are memorable. You get drawn into the album from the first listen, and the more time you give to it the more you discover.

One thing that can be said about the music is that it is truly fucking evil. Not in a goofy meaning, but really brutal and depraved sense of a word. From the record packaging to the lyrics to the sound samples, the overall theme of the album is negative, as it was recorded solely as an output to share their bleak reflection of humanity and its dirty deeds. Exploring realities of life that turned into the intersection of cruelty and depression, the album does not leave much hope regarding where the human race is heading.

For one thing, Headless Kingdom actively invites comparison to Kickback or Arkangel, if not exactly musicwise, than definitely in the overall vibe. Shit, since Kickback days, Europe was seriously lacking bands that could create such dense and dark version of hardcore.

This is not a band that walks middle ground, but rather one that is confident about their style and message and has been taking it to the next level with each release. I am glad to see Bloodstained still going strong, having a deal with a label with a recognition and distribution like Filled With Hate is definitely a good thing for them. I hope this will turn more heads and they get attention they deserve.

Review: Bloodlands - Nihilistic Dimension

Bloodlands hails from Finland and features members of Ratface, No One Is Safe and couple other local bands that make you expect quality. What they offer is heavy, thick metallic hardcore with an old school death metal twist. This combination is more often a miss than hit, but they kinda get this formula right. Over past few days I’ve been really getting into this album and the more I listen to it the more I start to appreciate its strong points
.
While Nihilistic Dimension is not without its flaws, it is a very entertaining and solid release showcasing wide range of skill and ideas. Despite all the heaviness, the main vibe is hardcore, so it’s not straight up death metal and it’s definitely not deathcore. For the most part the music is brutal and to the point as they keep tracks time down around two minutes. The tempos range from slow to fast, and most of the songs are driven by thick midtempo rhythms, filled with tight riffing, tremolo picking, pounding drums and booming double bass. From time to time they toss in some badass solo, but it’s done in right amount. All the way throughout the album the band as a whole hold together tightly, these dudes know what they’re doing. The production is crisp, even sometimes too crisp for my liking as some more dirt and distortion would do this album good.

The record was put out by the band themselves, so if you dig their sound do your part and get to getting.

Review: Creepout - Ovskvre Tortvred Order

Japan’s reigning kings of hardcore Creepout come back with new ep which was put out by FWH Records as MCD (as far as I know, there’s a vinyl version of the release as well). One look at the front cover and you know they carry on with their Cleveland worship thing. Everything about the package, from the layout to the logo (designed by Dwid himself) screams Holy Terror. They are trying hard, to the point some might call it biting a bit too hard off of Integrity/In Cold Blood style, but since there’s nothing bad about the music as such I have no problems with that.
With the music taking a similar approach as band’s previous record, a split with Integrity, Ovskvre Tortvred Order brings on the heavy, metallic side of hardcore with a grim, negative twist. I remember Tribe Called Hardcore had more NYHC/OLC flavor to it, but this time it’s all darkness and depravity.
The riffs are bit more technical than before, the music definitely got heavier and the overall vibe drifted much more into darker corners. The vocals are brutal like they should, dude’s doing great job.
I am not sure I get all the lyrics though, some of it sounds bit odd. It's almost like they were trying to sabotage this record on purpose coming with some cheesy lyrics like ‘Shut the fuck up and go away (4x)/ Fuck you bitch ass (3x) / I want you nothing’. It’s like Dwid going all out Rick Ta Life style. Either they were not giving a fuck at all or were trying too hard. I look at the lyrics are integral part of harcore, so this made record’s impact lesser than it should’ve been. But other than that, the record is dope. Check it out!

Review: Life Sentence - Marked For Death

Life Sentence are from Albany, New York and this is their debut ep which dropped last year via Panda Claw records. Marked For Death is definitely my type of shit, aggressive and no bullshit. The band lays down heavy but tight hardcore that place them somewhere along the lines of Last Dayz, Soul Search or Death Threat. It’s not a rocket science, you just gotta put together some tight riffs, strong drumming and pissed off vocals and that’s it. The track Under Siege is a fine example of band doing it right - a monster stomp with furious vocals. This shit is pretty basic, but take it as a compliment. The title track also gets the job done and is my another favorite. Another proof that most of the times simplicity is the best. Truth be told, none of the 4 tracks in here go below a certain level of standard.

The lyrics are down to earth and with lots out of the gutter attitude that makes this stuff very relatable. Some of this stuff might seem bleak and negative, but the ultimate message is to hold your own. Every kid reading this can relate to that type of real life poetry.

All in all, this is a solid record which seems to have slipped under the radar when it came out. If you haven’t checked it out, you’re missing out.

Review: Last Dayz - Ready to Die

So, this is the end. Ready to Die is band’s last release, and when I am writing this review it’s long past their farewell show. Sure, it’s a shame, but you gotta respect a band that decides to call its quits when they are on top of their game. So many bands just drag on and on till the point when nobody really cares that it's not even funny.

Anyway, back to this ep. How badass I would like their last record to sound? Well, it’s that badass. Welcome to the world where words like delicate or gentle don’t exist. The band kept moving forward with each release getting constantly better at their craft. With this final ep they sound more creative and skilled than ever, but they also sound more pissed off than ever. Tough, hard-hitting hardcore stripped down to the barest bones, proving that Poland should be 52nd state somewhere between NJ, PA and MI.

In their weight division, they just were much better than anyone else in Europe at the time. The ep was put out by Ratel Records and they made sure the package is solid and worth your money. Get it if you haven’t already.

Review: These Streets - Life From The Gutter

I love when you cop a record from the band you know nothing about and the very first track hits you so hard you don’t even know what happened. That's was the case with this ep by These Streets. Things go into high gear immediately with tough vocals over stomping grooves and sharp riffing. The band goes hard on every of four tracks on this ep, with some really dope and better than average guitar work over tight ass section. The occasional solos make the ep that much better.

The drums are way forward in the mix, but after a while it didn’t bother me at all. As far as the vocals go, the dude flows nicely with a sense of purpose in his voice when he spits stories of relationships gone sour, standing your ground, making right (or bad) choices in life and society pressures. Now and then he gets support from the crew, and man, those gang vocals sound like snatched straight from old Biohazard album.

If I was to say anything negative about this ep, I can’t lie, my first thought when I got this record was that this is some ugly ass cover. I don’t get it how they could allow it to happen, such a dope record with such a lame front artwork. I am glad my natural curiosity to discover new bands and integrity as a reviewer didn’t allow me to write it off at start.

All in all, I'm really feelin' the overall vibe of ep and I would recommend everyone to check this band out.

Panda Claw Records
These Streets

Rat Path / Drag Me Under - Split

Rat Path didn’t disappoint with the two chunky, thick and aggressive tracks they deliver. It’s not a huge departure from Mean Streets, but the song writing and execution is tighter than ever. It's some hard-ass riffs over a heavy drums and fat bass, with sick and straight up menacing vocals. Behind Bars has a nice groove to it, and the breakdown in the middle crushes. I imagine kids are going crazy when they play it live.

Hunter Gatherer is faster with a cool thrash vibe, but once again the slower part at the end is flawless. What I like about it is that it’s all time in your face, but somehow the band manage to find something fresh and new to add to that style. Rat Path might be slept-on in many circles, but they’re definitely a band to watch. Listening to this type of hardcore makes you bad ass.

I don’t know much about Drag Me Under except they’re from Reno, NV and this is their third release after two full length records . The band reminds me of the trend not so long ago when bands were focused on mosh parts and basically everything mosh related. Mid-tempo, metallic stuff like Throwdown or Hatebreed with gruff vocals and breakdowns and groove. Can’t say I miss those times that much, but since that trend died down I don’t mind to listen to such band from time to time. I’m cool with it cause there are only two tracks, not sure if I could stand a full blown album.

Panda Claw Records, 2015