Interview: Society Sucker



"hardcore is a very powerful cultural force in the underground
When we stop worrying about social and political matters we are actively working against what hardcore itself is supposed to be. "

Can you give Society Sucker some introduction. Where you from, how long you’ve been around?
Society Sucker is a hardcore band based in the Sunset Park neighborhood of Wilmington, North Carolina. We wrote and recorded a shitty demo in a week in 2013 and have been at it in one form or the other since then.

Promo ‘17 sounds sick. Tell us something about these new songs. Is there a new album coming and do you have any other new tracks ready?
Thank you so much for saying that! And yeah these two songs are part of a larger grouping of songs that we plan to put on an LP later this year. We have about 3 more songs finished more or less and a handful more in the process of coming together as I write this. We don't have any real plans yet with the actual physical release but its a little too early to worry about that stuff right now. We wanted to get the promo out to let people we are still alive and writing and show them the direction that we are going in for the LP since we feel it is our strongest material to date.

How is average Society Sucker track put down?
We have a pretty cool set up at our guitarist Chris's house where we are able to jam pretty much anytime and record it, so we riff around a lot and work off of ideas until we come up with something that sticks. The whole process is pretty organic, we try and get everyone's input and write stuff that we want to listen to or beat someone's ass to, whichever works.



People compare your band to Merauder, Leeway.... How would you describe your sound to people who are just getting familiar with you?
We started out wanting to be groovy and heavy, mixing elements of NYHC with thrash metal and crossover, but we kept kind of evolving between our demo to our first 7" to our split with Will to Die to now. The influences are still there but our approach to writing the type of hardcore that interests us has changed. I would say we are a heavy hardcore band at our core without a doubt, but we aren't trying to replicate anyone else's sound or be a "X-type of band" or whatever. We definitely take influence from Merauder, Leeway, Crown of Thornz, Stigmata and its obvious, but we also take just as much from bands like Alice in Chains, Guns N' Roses, all sorts of other shit so it's hard to pin down where exactly we are at any given moment. We are hardcore dudes playing the type of hardcore that we want to hear.

Is that new Cold As Life any good?



Cold As Life keeps on coming back together every now and then but this time beside touring there's new music to be expected. When you got a band with that huge rep and history it's hard to live up to the past. No wonder there are lots of different opinions on whether this Cold As Life is legit or not. Especially when there's just one dude (drummer Roy Bates) that connects to the times when the band got is start. The rest of the line up are new dudes or guys who joined the ranks when they started touring again some time ago. You can suspect some money grab scheme but who am I to tell? First, is there any serious money to be made here? Part of me doubts that, but I also know there will be many dudes in Germany or Belgium ready to buy merch and shit in large quantities. Secondly, who am I to interfere in internal Detroit power struggles? So politics aside, let the music speak for itself. Is this new incarnation of Cold As Life even worth checking out on the stremph of the new songs?



Suffer - musically it lacks that dirt and filth that made their old albums so menacing but compared to majority of current hardcore it delivers. The lyrics are deep and brutal dealing with a loss of a close one to addiction. People changed but Cold can still provide that eerie grime storytelling few other bands could relay. Jesse's vocals are made to sound very much like Jeff Gunnells which is probably the smartest thing to do. I had very low expectations going in but Suffer is a menacing cut that still holds its CTYC roots.



For The Few - solid tune but doesn't carry that much force as Suffer. This is basically a salute to your homeboys holding it down for you which doesn't necessary mean a bad thing in hardcore but it's not what I would expect from this band. On the music front nothing above average. Though I’d wanted new Cold As Life to be like the old Cold As Life I know that is not possible.

So it's 50/50 chances this new ep is not gonna suck.


Days of old

Interview: Altered Beast



Give us some info about Altered Beast?
We all live in Kansas City, Missouri. We started the band in early 2014. Been chugging away since then. Aren't really built for touring because me and the drummer have a lot of kids and life going on. Haha. We are open to some ideas though if people reach out. We definitely aren't going to turn anything cool down.

How did the band come about?
Max and Dakota (guitarists) approached me about doing vocals. They had a song (Come Clean) off the demo written and threw it my direction. I scammed our drummer Dan because he and I had been working on some other ideas. We started writing songs and scooped Steve up on bass. The cool thing is none of us had any other projects at the time. It is a good energy when everyone is hungry and focused on one project. Since then things have changed. Most the other guys have other things going on. We aren't writing as many songs as I want, but I'm not stressing.

Just recently you dropped new self-titled ep. What was your main goal when writing these new tracks?
We had been playing these tracks live for a while. We instantly kept writing after we dropped the demo tape. The songs were pretty mature by the time we hit the studio the second time for this ep. We still kept it bare bones as far as production. The one thing we did consistent was record in the same studio. It is a super nice modern studio with great equipment and rooms. War of Ages, and Norma Jean had both recorded there. The goal was to keep it natural and raw sounding. No bullshit effects that made us sound like some studio monster. I wanted that live sound. We record the songs live and punch in the fixes for any mistakes we made. I save the vocals tracks for the end, and usually try to nail them with a single take. I don't like reverb or any overdubbing on my vocals.



Who is going to release it on a physical format?
We actually have it pressed on 7 inch now with our friend Sam from Blak Skul Records now out of KC. He lives next to Max and has been super cool putting it out. We have gotten some good responses out of it. Even Maximum Rock N Roll gave us a cool review. I was pretty nervous when Sam submitted it to them. Normally they chew bands like us and spit them out. Haha. We pressed 400 on black, and around 100 on red.

How did you get involved in hardcore?
I got involved in hardcore by just listening to the music. I lived in a very small town and there were some older friends that were part of the early 80's movement that taught me the ways. I didn't understand the subgenres until I started getting older. You gotta understand that I am about to be 41 years old. I began listening to independent music at a really young age. I was exposed to DRI and Slayer when I was in 6th grade. So that was around 1985/1986. I got directly involved by playing in a local band after high school and opening up a lot of the local shows. I was always going to shows though. I was addicted to dancing and having fun. I didn't care if I was solo or going with a group of friends. After all those years I just kept getting more and more involved from running sound at a local venue, to putting on random shows of my own in the city.

What did you find inspiring about that movement?
The first time I understood what the difference between hardcore and other music was when I began to get deep into NYHC worship. I was so intrigued with who was related to who, and what bands they all had before. I had known about most of the bands through the years, but like I said, I didn't understand that Agnostic Front, Slapshot, Murphys Law, etc were part of a sub genre call hardcore. The most inspiring thing that drew me in was hearing AF Last Warning and hearing the in between talking that Roger did. He was talking about unity and caring about social causes that were affecting them in NYHC. That whole positive banter and vibe showed me the reality of their style. After that I picked up on 25 Ta Life and Rick's lyrics were super positive on Strength Through Unity. At that time I was sold on the idea of Unity and Togetherness. That is what initially attracted me to hardcore. How you could sound so tough, and the pits be so wild, and have such a caring and inclusive message.

Review: Schizma - O Nas



Schizma are local legends in their native Poland but among international hardcore community their status is not so solid. It’s a shame cause they released some of the finest hardcore music I’ve heard in my life. I pity people not familiar with their magnum force opus Unity 2000, a beast of a record from, you guess, year 2000. That album is one of my top ever, but I’m also never far away from a copy of Pod Naciskiem, their previous output where they really nailed their NYHC-infused sound. It’s crazy to think those albums came out over 15 years ago. Many consider that to be the best era of the band. The records the band put out in 2000s appeared to be a series of close misses or shots that veered way off target. Nothing embarrassing, but nothing great neither. In recent years they switched their formula and instead of full length album every couple of years they started putting out shorter four track eps. This format works for them and the band may really be getting some of their mojo back.

O Nas is a top quality hardore. There are 4 tracks and everything about them just clicks. The ep flows well from start to finish. The band plays tought ass hadcore with a crossover/thrash vibe but they try to put their stamp on it so it’s not just a mixtape of different influences. Some of the riffs sound like they could be lifted from Chaos AD, while some tracks are straight up hardcore. The music do not get stale and it’s amazing how many creative ways they came up with to make this stuff above average without losing aggression and focus. Not a moment of this feels too long or repetitive. On top of it all, fertile vocals deliver the message of strength and resilience without sounding pretentious. If you don’t mind this being sung in Polish give it a try.

Spook Recods, 2017

New Blood: La Guadana



Give us some background about the band? Who are the members, when was it formed and where your're based?
Basically La Guadaña is only 3 old friends who had the idea for so long to play together and record something before our guitar player moved to Israel for a few months.

The members are Samuel, the drumer , Ofer ( guitar ) and myself, Josue ( voice, bass and some guitars) We all live in a small town near Barcelona called El Masnou.

Samuel and me have played together for almost 20 years in the band Anal Hard, Samuel plays aswell in a punk rock band called Guspira and I have a rock band Called Destierro. Ofer also has a Stoner rock band called Grass and played many years in the hardcore band Fresh Thrash.

What have you released so far?
So far all we have is the demo cassette with 6 tracks on it, released on backside records a while ago.

New Blood: Life Abuse

I'm a sucker for every new shit from the Crowd Deterrent camp and this is another project done by Rob (vocals of CD) and it's quality as always. Music-wise this is something between Crowd and Race Riot, both in music and attitude. Listen to the demo below and read Rob giving some more insights into LxA.



What’s the story behind Life Abuse and why start another band when you already have Crowd and Race Riot?
I wanted to do a new band with guys that live closer to me in the Youngstown Ohio area. Crowd Deterrent barely plays anymore unless it's something we really want to do and race riot only practices if we have shows coming up . I wanted to do an actual band that practices and plays whatever local shows we want . Steve from cd/rr plays drums so I wrote two songs in one day and we tried em out . They came out pretty cool so we decided to go with it .

How does Life Abuse compares to your other bands?
I'd say it's somewhere in between cd and rr. The newer cd stuff is heavy metallic hc and race riot is straight 80s punk hc stuff , life abuse is kind of fast crossover hc almost in the middle of the other bands I do.

Life Abuse is a dope name for a band and lyrics are spot on. What you want for people to get from listening to ‘How can death be any worse?'
Thank u ! I always have names for bands layin around just in case I start something new haha. The bands lyrics are pretty bleak and really just represent how trapped and shackled I've always felt in everyday life. The world is built to keep people in line and keep the machine going at all costs, there's no room to stray from your designated path . I always hated laws and rules that we are forced to live under day by day and the thought that there's zero you can do to change it . People can get what they want out of it ,but it's just my personal thoughts on modern life .

Have you done any shows so far? How are kids reacting to these songs?
We played our bass players house for his bday party and it was a great time. It was all friends and they're biased so the show was pretty good for our first haha. Our next show is end of feb in Cleveland so we will see how kids react. All the songs are fun to play so no matter what reaction it'll still be a good time .

What the future holds for the band?
We are gonna start playing as much as work allows all of us to. The other bands I do are playing some really cool shows/fests this year so I'm trying to do Life Abuse shows in between all of that. Especially house party shows .


Top hardcore of 2016

2016 was fucked up on many levels but I abstain from being a pussy about it cause I know 2017 gonna be even worse. And I’m not even talking politics yet, this shit is gonna be out of control. But as the saying goes, when going gets hard, hardcore gets going and there was shitload of good hardcore to help me deal with personal demons and this world going mad. I expect momentum to continue during next 12 months as the social, political and economic situation deteriorate and people have to deal with serious real life shit not he said she said gossip and being fucking sensitive for the sake of it.

Best hardcore in 2017 was:



Harley Flanagan - Cro-Mags
This is hands down the best record of the year. One of the best hardcore to come from NYC in recent years. Harley made 2016 his bitch with this one.

Manipulate - Becoming Madness
My second favorite hardcore record from 2016. Hard-hitting hardcore with ‘80’s crossover vibe so many bands try to recreate but Manipulate did it perfect.

The rest of the list goes in no order.

Backfire - Where We Belong
It’s 2016 and Bf! Continues to deliver uncompromising hardcore recreating the old golden eurocore sound in new ways that make it fresh. I applaud this one for being so in your face.

Bent Life - Never Asked For Heaven
Once this record gets going the shit never stops. Hard as hell!

Knuckledust - Songs Of Sacrifice
London diehards back with a record that deals with the ills of society over thick and pounding hardcore. The music, the message, the attitude - everything works on this one.

Naysayer - Nation Of Greed
Pure menace. Naysayer don’t do nuance which means that ep is filled with that uncompromising, no-weird-shit sound that made them rich and famous.

Point Blank - Burden Of Humanity
This is most likely the least-recognizable title on the list, but it deserves to reach a wider audience. You’re looking at major war shit!

Risk It! - Cross to Bear
Another banger from Europe. Very strong album with each track filled with good stuff that makes you want to incite violence.


Other shit that wasn’t bad:

Absolute Power - Self Titled
Government Flu - Vile Life
Gods Hate - Mass Murder
Ill Intent - Us Vs You
Regulate - Years Of Rage
Rhythm Of Fear - Maze Of Confusion


Review: Reserving Dirtnaps - Part II



This is some of the harshest sounding shit I’ve heard in a while. I mean it in a positive sense. Overproducing has messed up so many otherwise enjoyable records that with no doubt I can put it on the list of stuff that sucks the most in hardcore, somewhere between German vegan metalcore and just any band on HCWW youtube. None of that weak shit here, Part II sounds like it was recorded in a filthy crack house basement while fending off rats and cockroaches. Raw and hardened hardcore by way of Hatebreed, Lifeless or Punishment with some faster parts and heavy ass breakdowns.

The overall vibe of the these tracks is negative and bleak. It’s an album of burning anger while sitting in the room with shades down thinking why it all went so horribly wrong. Hardcore for those who know better than to have high expectations from life. It’s all about maintaining while being served blow after blow of pain and mizery. This is one of those bands where if the list of bands I listed as references doesn't get you interested you should skip it. But if you can stomach that amount of hate and dirt, this is for you. Memphis!

facebook.com/RESERVINGDIRTNAPS901
Bandcamp

Cornered Interview




The new album is called Hate Mantras, can you tell me the story and idea behind the name?
Daan wrote a Rhythm to the Madness EP called Hate Mantras. That band quit so he had those songs ready. We didnt use any of the songs but the name stuck. A hardcore song is a Hate Mantra per definition. It fits the lyrics as they deal with a lot of hate.

Personally, I think the album rips. As this is your creation, how is the album sitting with you when you listen to it now?
I am really into it. Its the first record that came out quite quickly so whereas before it would take ages for the record to come out and I'd be fed up with the songs before we even recorded them or put them out. I love each song for what it is because we've all contributed to this record instead of having one of us writing all the riffs. The guitars and the drums sound tight and I like the way my vocals ended up on most songs.

How is the record doing in terms of feedback from the listeners? Was it well received? Are you even concerned about this stuff?
Its always nice to hear kids are into it, everything we've gotten back so far has been very positive so thats cool. Even before the actual record was out. Reviews have been overwhelming and many of my friends were into it and even my family liked the way it sounded for the first time that meant a lot to me.

New Blood: Kingpin (UK)


New blood from Glasgow, Scotland with influences from hardcore and crossover sound like Cro-Mags, Leeway, Merauder or Hatebreed.

To those not familiar with Kingpin, give us a rundown on the band.
Kingpin is currently a 5-piece Glasgow HardCore band drawing influences from thrash, hardcore and metal. Long story short, we are all about dem riffz. We self-released a cassette tape demo in 2013, a 7" vinyl titled "They Serve Themselves" via Germany's Demons Run Amok label in 2014, and just recently self-released a 4-track digital EP titled "TRUTH". We've toured up and down the UK and over in Ireland several times and played with so many of our favourite bigger touring bands like Sick Of It All, Iron Reagan, M.O.D., Negative Approach, Toxic Holocaust, Bane, Twitching Tongues, Exhumed, Code Orange and more and we fucking love every minute of the cool opportunities we've been blessed with as a band.

Who are your strongest musical influences and why?
We're named after the Leeway song "Kingpin". I sure as hell don't sing like Eddie Sutton - I wish I could! - but I think it's fair to say the Leeway mix of fast thrashy bits and hard breakdowns is pretty much the template we work from. In terms of more recent bands we like, soon after Kingpin formed we all went to see Power Trip supporting Bane and we all agreed that Power Trip were doing what we wished we could do, haha. We really chuck a lot of the classic thrash, metal and NYHC influences into our sound... Sepultura, SIck Of It All, SOD, Suicidal Tendencies, Merauder, Crowbar, yada yada yada. Every band says this, but we really just try to make the kind of music we'd like to listen to.

Mastiff Interview



Mastiff hails from California and soon will be dropping new record via Knives Out records. To my knowledge the music is already recorded, but the ep is still in the process of putting it all together. This interview was done couple months ago so some info might be outdated, but it's a good start to get to know this band.

Can you introduce the band and tell us where you are from?
mastiff is from the east bay area (we touch the water)

When was the starting point for Mastiff?
the starting point for mastiff was the winter of 2012 in the heart of east oakland.

You got shitoad of releases posted on your bandcamp. Gimme us some overview, which stuff is the best and which kids should pass?
honestly the hardest part with mastiff is we feel that alot of kids cant really relate to some of the songs we write, we wouldnt really tell anyone to pass on anything we make just for the fact at one point of time we thought it was something important to write about..mastiff is more of a groove that some people hate or feel.

Creepout Interview



From Tokyo, Japan, Creepout is a long standing band that's all about maniacal, ignorant, brutal hardcore. They've been going for years now and after a slew of hard-hitting releases I think they've reached a cult status in their country. Despite that it ain't easy to find more in depth info about the band, so I thought it would be a good idea to catch up with their singer Kunihide to talk about band's past and future.

You’re probably one of the key bands to ever emerge from Japan in 2000s and I think everyone into hardcore heard about Creepout at one point. However, it’s hard to find any background info about the band. Can you give me a bit of a history?
Formed in 2002 with some my boys who played for previous band i sung,just started as some old school hardcore band.Ofcourse as you imagine,we got huge influence from Cleveland hardcore so we wanted to have some essence of it on our music but couldn't do well then.We got a few important things/moments ever,one is to play/meet with Integrity in japan 2004,and did a split with Crowd Deterrent in 2007. and after split with CD,we got a chances to play in the U.S., A lot of things has changed and went great.We wouldn't spread our name to outside of japan mainly,that was natural.Butso many bands/guys know our name and gave me cool reaction,that's so great.

At the beginning, what type of music did you want to make?
Oh yes Cleveland hardcore like OLC/PB2000 and some B4B tastes.

These Streets Interview



These Streets is a band from Cali that caught my attention when they dropped Life From The Gutter ep some time ago. That record was tight and I was hoping it wasn't gonna be their last word. Fast forward to 2015, the band is releasing Clockwise and it didn't let down. Hard-hitting, tough hardcore that combines all the good stuff I like in bands like Trapped Under Ice, Madball, Terror and so on. You get the picture. This is an inteview with band's vocalist, Cameron.

New Blood: Dead Weight (UK)



For the uninitiated, how did Dead Weight come about?
Dead Weight was formed in late 2010 when Sam Hames (Vocals) wanted to start a new St Albans Hardcore band as many new bands were coming out of the area at the time, after a few practices trailing various friends the band started playing shows in March 2011, the line up at this point consisted of Sam Hames (vocals), Sam Gale (guitar), Josh Khalid (guitar), Thomas Debaere (bass) and Wolfie Cloutman (drums). Josh Khalid and Wolfie Cloutman have since been replaced by Aidan Starr and James Mason respectively.

Victim Of Deceit dropped last year, how do you feel about it few months after it came out?
Stoked. It definitely rejuvenated us as a band, UKHC has taken a more metallic tone and structure since and around the time that we released the EP and that definitely helped us get it out to a wider audience. We hadn't played too many shows prior to the release of Victim of Deceit due to changing band members and the good reaction we got helped us get back into playing shows and enjoying them as we did when the band started out.

Review: Eden Demise - Triumph Over Adversity



Eden Demise are a long running band from crisis-stricken Greece. Longtime readers will recognize this name, as I've done interview with them way back and also reviewed one of their previous records. I wasn’t even aware they’re still active, but it’s cool they haven’t given up. I guess all the problems their homeland is going through became a fuel for anger on this album. The music is a cross between early Hatebreed and late Throwdown, if that makes sense. There is a stamp of moshcore in everything from the album’s cover to song titles to music itself. This might be even too much mosh for some to handle at once. Although there’s nothing bad here as such, there’s not many killer tracks that really get the juices flowing. Some of this album is forgettable; but the highlights should work for the fans of the above mentioned bands. Compared to their previous stuff, the sound is much more into heavier territory, but still maintain the overall core vibe. This might not be my favorite style of hardcore, but I gotta admit it's far from bad. Plus, I respect the band that stay true to themselves and don't fake it.

Filled With Hate, 2014

New Blood: Revision



Give us some background on Revision. Who’s in the band and how did it get started?

Revision is 5 friends that wanted to play music together. Brandon is are front man. Luke is slapping the bass. Glen is the young blood on guitar. Kevin is the beat maker. I (Dennis) play second guitar. We live in a area where HC is scarce , so I guess trying to jump start a scene would be nice too. 3 of us are edge 2 are not but we all love the core.

The 2014 demo was your first release, how long was it in the making?

I believe it took about 5/6 months but I think we had the songs ready earlier then that. We were just waiting to record.

The tracks on the demo sound powerful. Do you have a process when it comes to writing new songs or does it just come to you?

Most of the time we'll jam shit out in the spot. If we like it we keep it. Then Brandon writes lyrics to whatever fucked up riffs we have written.

Review: Bloodstained - Headless Kingdom



Bloodstained emerge from the depths of hell to drop filth and dirt into your useless life. There is a fury driving this record, most of the time it moves at frenetic pace filled with jagged riffs and crushing drums. Musically,the project is of a high caliber, the tracks are well engineered and hit in all the right places. I will go as far as to say they’re top of their weight division right now. The riffs, the vocals, the drumming - everything about this record is nothing short of a tour de force. The songwriting is on point and the way that everything they put into these songs flows together is genius. They deliver the brutality, but at the same time a lot of the riffs and hooks are memorable. You get drawn into the album from the first listen, and the more time you give to it the more you discover.

One thing that can be said about the music is that it is truly fucking evil. Not in a goofy meaning, but really brutal and depraved sense of a word. From the record packaging to the lyrics to the sound samples, the overall theme of the album is negative, as it was recorded solely as an output to share their bleak reflection of humanity and its dirty deeds. Exploring realities of life that turned into the intersection of cruelty and depression, the album does not leave much hope regarding where the human race is heading.

For one thing, Headless Kingdom actively invites comparison to Kickback or Arkangel, if not exactly musicwise, than definitely in the overall vibe. Shit, since Kickback days, Europe was seriously lacking bands that could create such dense and dark version of hardcore.

This is not a band that walks middle ground, but rather one that is confident about their style and message and has been taking it to the next level with each release. I am glad to see Bloodstained still going strong, having a deal with a label with a recognition and distribution like Filled With Hate is definitely a good thing for them. I hope this will turn more heads and they get attention they deserve.

New Blood: Point Blank



Point Blank are from Tallahassee (Florida), which is a place I know absolutely nothing about but their debut ep Life Crisis is the sort of record that should have made their hometown a hardcore mecca. Their sound can be best described as classic sounding hardcore with a heavier vibe, which means it's fast but it also hits hard. I recommend you pay attention to this band.

For those who are unfamiliar with Point Blank, give us some introduction?
POINTBLANK is a hardcore band from Tallahassee, FL that was formed just to open local shows for touring bands. The group ended up being very compatible, and some really heavy stuff came out of it. Some hard work payed off with some recognition, thus we went a bit further & even blew ourselves away with Life Crisis.

Life Crisis came out in April, how do you feel about it months after it dropped?
Life Crisis, when it came out, was a very proud moment for all of us. Over the next flow of months we realized that the tracks be perfected, and we have decided to re-master and re-release with harvcore records.

New Blood: Cold Truth


Cold Truth are keeping it real in their area, which is Tacoma, WA. Definitely a band worth checking out if you're into hard-hitting, aggressive hardcore with a crossover vibe.

Tell us what people should know about Cold Truth.
We’re a straight edge hardcore band from Tacoma, WA. We just let the music speak for itself.

How did the band get its start?
I came along pretty early in the game. My understanding is that when Trevor, our singer, and Patrick, our bassist, were in Prepare the Bride half of that band went to start Singled Out. Trevor and Patrick decided to do a heavy band. Originally it was going to be like this early 2000’s Throwdown kind of thing. Then Trevor asked me if I wanted to play guitar. So, I wrote Choke, Life Lesson, and True Love pretty quickly, and Patrick and I collaborated on Mind’s Eye. We got Chris to slap some drums on it real quick and went to the Mukilteo Mansion and recorded with Cameron Heck. Then we had the South Sound Demo.

Review: Bloodlands - Nihilistic Dimension



Bloodlands hails from Finland and features members of Ratface, No One Is Safe and couple other local bands that make you expect quality. What they offer is heavy, thick metallic hardcore with an old school death metal twist. This combination is more often a miss than hit, but they kinda get this formula right. Over past few days I’ve been really getting into this album and the more I listen to it the more I start to appreciate its strong points
.
While Nihilistic Dimension is not without its flaws, it is a very entertaining and solid release showcasing wide range of skill and ideas. Despite all the heaviness, the main vibe is hardcore, so it’s not straight up death metal and it’s definitely not deathcore. For the most part the music is brutal and to the point as they keep tracks time down around two minutes. The tempos range from slow to fast, and most of the songs are driven by thick midtempo rhythms, filled with tight riffing, tremolo picking, pounding drums and booming double bass. From time to time they toss in some badass solo, but it’s done in right amount. All the way throughout the album the band as a whole hold together tightly, these dudes know what they’re doing. The production is crisp, even sometimes too crisp for my liking as some more dirt and distortion would do this album good.

The record was put out by the band themselves, so if you dig their sound do your part and get to getting.